karel appel (born amsterdam, 1921) was one of the dutch painters that unleashed a revolution in the renowned dutch school of painting shortly after the second world war. his work was rejected by nearly all critics and by the public at large and supported only by some friends and fervent followers, among whom amsterdam's world-famous museum director sandberg was notable. following the examples of other dutch painters who found'no favour in their own country (van gogh, mondrian, jongkind, van dongen) appel established himself in 1950 in paris, where his talent developed stormily and was soon recognised everywhere - even in holland. witness the government-sponsored documentary film that was made of him and his work. today the vitalistic, philosophically-minded karel appel is one of the world's most famous and best-paid modern painters. He is a man with his best years still before him, a powerful personality, passionately interested in all the phenomena of his time. success has not spoilt him: He lives frugally, does not smoke or drink, works hard, and has only two extravagances: good food and fast cars.

Karel Appel

the remarkable success of the still-young karel appel is not to be explained only by his paintings, but above all by his dutch character and his strong creative personality. dutch is the hard, messaging rebelliousness with which he revolted against the hard, messaging mentality of his compatriots and their (his) culture. it is the same ruthless pursuit of absolute values - and powerful search for truth that urged on other great dutch painters. as a creative personality too appel is irresistible. not latin, playful, unceasingly producing things of beauty, like picasso, but dialectic, ever discovering new questions in every work that he produces and ever answering with a new painting. these qualities - dutch stubbornness and unfrustrated creativity - mathematically determined his place in our culture, yearning as it was for new, true values.

"my work is no art, but the spontaneous adventure of now. i never try to make a painting - it is a cry, it is like a child, it is like a tiger behind its bars. i paint as a barbarian of this barbarous time."

Georges Braque

Georges Braque; 13 May 1882 – 31 August 1963) was a major 20th-century French painter and sculptor who, along with Pablo Picasso, developed the art style known as Cubism. Georges Braque was born on 13 May 1882, in Argenteuil, Val-d'Oise. He grew up in Le Havre and trained to be a house painter and decorator like his father and grandfather. However, he also studied artistic painting during evenings at the École des Beaux-Arts, in Le Havre, from about 1897 to 1899. In Paris, he apprenticed with a decorator and was awarded his certificate in 1902. The next year, he attended the Académie Humbert, also in Paris, and painted there until 1904. It was here that he met Marie Laurencin and Francis Picabia.

His earliest works were impressionistic, but after seeing the work exhibited by the artistic group known as the "Fauves" (Beasts) in 1905, Braque adopted a Fauvist style. The Fauves, a group that included Henri Matisse and André Derain among others, used brilliant colors to represent emotional response. Braque worked most closely with the artists Raoul Dufy and Othon Friesz, who shared Braque's hometown of Le Havre, to develop a somewhat more subdued Fauvist style. In 1906, Braque traveled with Friesz to L'Estaque, to Antwerp, and home to Le Havre to paint.

In May 1907, he successfully exhibited works of the Fauve style in the Salon des Indépendants. The same year, Braque's style began a slow evolution as he became influenced by Paul Cézanne, who had died in 1906, and whose works were exhibited in Paris for the first time in a large-scale, museum-like retrospective in September 1907. The 1907 Cézanne retrospective at the Salon d'Automne greatly affected the avant-garde artists of Paris, resulting in the advent of Cubism.

"… in terms of volume, of line, of mass, of weight, and through that beautyinterpret subjective impression...”

Marcel Broodthaers

Marcel Broodthaers (January 28, 1924 – January 28, 1976) was a Belgian poet, filmmaker and artist with a highly literate and often witty approach to creating art works.

He was born in Brussels, Belgium, where he was associated with the Groupe Surréaliste-revolutionnaire from 1945 and dabbled in journalism, film, and poetry. After spending 20 years in poverty as a struggling poet, he performed the symbolic act of embedding fifty unsold copies of his book of poems Pense-Bête in plaster, creating his first art object. That same year, 1964, for his first exhibition, he wrote a famous preface for the exhibition catalogue;

"I, too, wondered whether I could not sell something and succeed in life. For some time I had been no good at anything. I am forty years old... Finally the idea of inventing something insincere finally crossed my mind and I set to work straightaway. At the end of three months I showed what I had produced to Philippe Edouard Toussaint, the owner of the Galerie St Laurent. 'But it is art' he said 'and I will willingly exhibit all of it.' 'Agreed' I replied. If I sell something, he takes 30%. It seems these are the usual conditions, some galleries take 75%. What is it? In fact it is objects."

He worked principally with assemblies of found objects and collage, often containing written texts. His most noted work was an installation which began in his Brussels house which he called Musée d'Art Moderne, Départment des Aigles (1968). This installation was followed by a further eleven manifestations of the 'museum', including at the Düsseldorf Kunsthalle for an exhibition in 1970 and at documenta 5 in Kassel in 1972. For such works he is associated with the late 20th century global spread of both installation art, as well as "institutional critique," in which interrelationships between artworks, the artist, and the museum are a focus.

Broodthaers died in Cologne, Germany on his 52nd birthday. He's buried at Ixelles Cemetery in Brussels under a tombstone of his own design.

Corneille

Guillaume Cornelis Beverloo, beter bekend als Corneille (Luik, 3 juli 1922 - Auvers-sur-Oise (Frankrijk), 5 september 2010) was een Nederlandse Cobra-schilder. Corneille werd geboren in het Belgische Luik, als kind van Nederlandse ouders. Hoewel grotendeels autodidact, volgde hij toch kunstcursussen aan de Amsterdamse Academie, tussen 1940 en 1942. In 1946 hield hij in Groningen zijn eerste expositie.
Aanvankelijk sterk beïnvloed door het werk van Picasso, maakte hij zich in 1948 hiervan los en trad toe tot de Cobra-beweging; hij is daarvan medeoprichter, samen met onder anderen Karel Appel, Jan Nieuwenhuijs en diens broer Constant Nieuwenhuijs.

In 1950 verhuisde hij van Amsterdam naar Parijs. Daarna reisde hij meermalen naar andere delen van de wereld: Noord-Afrika, Noord-Amerika, de Antillen en Zuid-Amerika. Deze reizen bepalen in hoge mate de aard van zijn werk. Vanaf 1960 viel hij terug op figuratieve kunst, waarbij vrouwen, vogels, bloemen en vaak personages tot zijn artistiek vocabularium behoren.Corneille bleek medio 2005 nog even werklustig als vroeger, ook al werd er bericht dat hij "depressief" zou zijn. Zelf beweert hij dat schilderen geen hobby of werk is, maar eerder een roeping. De laatste jaren had Corneille zijn atelier in Parijs. Bezoekers werden vrijwel niet gedoogd door de kunstenaar.
In 2006 is een recordbedrag betaald van € 215.000 voor een schilderij van Corneille.